Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
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Warren Neidich, Corinne Erni, Eric Fischl, April Gornick

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Mary Heilmann

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Steve Miller

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Mel Kendrick

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Monica Ramiriz-Montagut

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Sandy and Stephen Perlbinder

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Mel Kendrick, David Nolan

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Rick Liss, Ralph Gibson, Mary Heilmann, Ned Smyth, Mel Kendrick, David Nolan, Dianne Blell

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’

Photo by Jenny Gorman

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Emily Goldstein, Mel Kendrick

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Susan and Donald Sulton

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Susan Dunlevy

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Eva Faye, Abby Terkuhle, Billy Sullivan, Vija Celmins

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Parrish Art Hosts Opening For ‘Mel Kendrick: Seeing Things in Things’
Deborah Bancroft, Monica Ramirez-Montagut, Barbara Toll

Photo by Jenny Gorman

The Parrish Art Museum in Water Mill held an opening for “Mel Kendrick: Seeing Things in Things” — the first major survey of Kendrick’s work highlighting his four-decade career, on November 5.

On view through February 19, the exhibition explores how Kendrick, one of America’s renowned contemporary sculptors, pushes the limits of his materials — wood, rubber, and concrete — to create sculpture that lays bare the process by which it was made, manipulating the language of abstraction with wit and rigor. Through his creative inquiry, Kendrick invites viewers to think about the relationships between representation and abstraction, sculpture and the body, organic and synthetic, and natural and made by hand.

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