The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
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Anne Pollack, Don Myer, Sandi Mendelson
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Britta Le Va and Steve Miller
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Chapin Carson and Tracey Thatcher
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Corinne Erni, Jason Rosenfeld, Scout Hutchinson, Kaitlin Halloran
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Enoc Perez and Bob Colacello
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Ian Berry, Jack Shear, Corinne Erni, Scout Hutchinson, Jon Rider, Monica Ramirez-Montagut
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Jack Shear, The Ellsworth Kelly Foundation and Glen Fuhrman The Flag Art Foundation
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Kim Heirston, Jack Shear, Sheri Pasquarella
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Monica Ramirez-Montagut, Jonathan Rider, Sheri Pasquarella
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Stephanie Dorsey and David Horton
Photo by Lisa Tamburini
The Opening Of ‘Ellsworth Kelly: Eight Decades’ At The Parrish Art Museum
Steven and Sandy Perlbinder
Photo by Lisa Tamburini
Marking the launch of a new partnership, the Parrish Art Museum and The FLAG Art Foundation presented the opening of “Ellsworth Kelly: Eight Decades,” a focused survey spanning more than 80 years of the artist’s work on March 14. The exhibition will run through June 14.
Comprising roughly twenty works created between the 1940s and the 2010s, the exhibition includes key examples of Kelly’s mature minimalist work alongside early paintings, plant drawings, and photographs made near the Parrish Art Museum on the East End. The selection reveals the emergence of recurring motifs across mediums, underscoring Kelly’s sustained engagement with flattening form, negative space, and color reduced to its most elemental state.