Mark Seidenfeld Sets Sail Into ‘Uncharted Waters’ With New Art Exhibition At The Bridgehampton Museum
Mark Seidenfeld and Connor Flanagan
Photo by Lisa Tamburini
Mark Seidenfeld Sets Sail Into ‘Uncharted Waters’ With New Art Exhibition At The Bridgehampton Museum
Norman and Geena Konrad
Photo by Lisa Tamburini
Mark Seidenfeld Sets Sail Into ‘Uncharted Waters’ With New Art Exhibition At The Bridgehampton Museum
Patton and Nancy Miller.
Photo by Lisa Tamburini
Mark Seidenfeld Sets Sail Into ‘Uncharted Waters’ With New Art Exhibition At The Bridgehampton Museum
Raquel and Marco Guerrero
Photo by Lisa Tamburini
Mark Seidenfeld Sets Sail Into ‘Uncharted Waters’ With New Art Exhibition At The Bridgehampton Museum
Richard Sigler and Nan Dillon
Photo by Lisa Tamburini
Mark Seidenfeld Sets Sail Into ‘Uncharted Waters’ With New Art Exhibition At The Bridgehampton Museum
Roz Dimon and James Dawson
Photo by Lisa Tamburini
Mark Seidenfeld Sets Sail Into ‘Uncharted Waters’ With New Art Exhibition At The Bridgehampton Museum
Susan Traub, Cassandra Seidenfeld, Nancy Pearson
Photo by Lisa Tamburini
The Bridgehampton Museum presents “Uncharted Waters,” a solo exhibition of paintings by Mark Seidenfeld, on view through June 21. The exhibition inaugurates The Bridgehampton Museum’s Corwith Homestead Tractor Barn located at 2368 Montauk Highway, a newly renovated, contemporary exhibition space blended into the historic William A. Corwith Homestead campus. An opening reception was held on June 4.
Seidenfeld’s paintings evolve from earlier representational work into fully realized abstraction, where landscape gives way to interior vision. These are not depictions, but constructed fields, dreamscapes shaped through layering, interruption, and revision.
Mark Seidenfeld and Connor Flanagan. Photo by Lisa Tamburini
Each work engages what the artist identifies as the Unknown: a condition that resists repetition and continuously shifts. What is resolved in one painting becomes insufficient in the next. The work advances through this instability, with each painting extending, rather than reiterating, the last.
A consistent pursuit of depth underlies the practice. Surface is built, disrupted, and recalibrated, producing compositions that hold tension without closure. Installed within the scale and structure of the barn, the paintings activate the space as a field of perception.
“Uncharted Waters” establishes both the inaugural program of the Corwith Homestead Tractor Barn and a concentrated statement of Seidenfeld’s ongoing investigation into abstraction.